A Copper field assembly

What to do?
I would like to stay in this old steam town

We once were cave men lived through the dark ages of man and women

What will be tomorrow will be but I do not know it is yet as it has not happened, but I always hope for the best and fear for the worst.

Global village of universal citizens god bless us ever single one. I hope I pray.

A boat trip from Portsmouth to Alderney back in the day

Unplug & recharge

With a little help from Spotify on random and Youtube going through my like list I thought I would post some songs that help me get through dark nights. Hope you like them too.

Casey a wonderdog one of my favourite all time songs
For riding waves of emotion on a difficult day
Looking forward to the summer
Finally a live recording from  Conor O’Brien
People are talking

One of the best films you have never seen

Twists and turns every step of the way

BROTHERHOOD OF THE WOLF is a wild mix of martial arts, horror, and French period drama. Gregoire de Fronsac (Samuel Le Bihan), a charming naturalist and libertine, arrives in Gevaudan with his companion, Mani (Mark Dacascos), a taciturn Mohawk Iroquois Indian with amazing fighting skills. Fronsac has been sent by the king to investigate a mysterious beast that is slaughtering women and children across the countryside. The local gentry include the friendly Marquis Thomas D’Apcher (Jeremie Renier), Jean-Francois de Morangias (Vincent Cassel), a one-armed adventurer with a suspicious nature, and his beautiful sister, Marianne (Emilie Dequenne of ROSETTA). Though Fronsac is immediately attracted to Marianne, he still finds time to visit Sylvia (Monica Bellucci), a mysterious prostitute with a penchant for sharp objects. Fronsac and Mani quickly realize that the killer is not a wolf, but something bigger and far more deadly. As they attempt to track the beast, they encounter unexpected resistance from the locals, and find themselves in grave danger. BROTHERHOOD, a huge hit in France, is a uniquely entertaining film, featuring stunning fight scenes, suspense, and campy high drama. Director Christophe Gans captures it all with a visual panache few Hollywood directors can match.

The digital divide – Pandor’s black box – Through the looking glass